Відео

Some of these really bring a life to the statues that they'd never have otherwise. The second one particularly, it's like a scene from a historical drama.

Got to press F yo doubt on the concept that 15th century Japanese arista knew of the camera obscura. Even China at the time. Northern European pre-Rennaissance art is underappreciated in Northern Europe today compared to Southern European counterparts. On what are you basing the idea of Chinese artists understanding the techniques of their contemporaries in northern europe 8,0000 miles away?

Hey, just wanted to thank for your this series, looking forward to watching more of them. So informative!

A wonderful tribute to your family.

Respect have a safe Summer 2024

Lovely Jeff. Very nice work.

Thank you for posting this! I'm really enjoying it.

thanks!

Well done. I am a strong believer in the power of the single still image. The counter to this power has intensified by an order of magnitude or more with the cell phone. People snap selfies and snapshots to post on Instagram rather than paying attention to the exhibit. I see it every time I go to a museum that allows photography. However, I am encouraged by a variety of evidence that a growing number in younger generations are starting to reject this flood of meaningless data. They want their lives to mean something. I am optimistic that this change will be part of a tectonic shift in paradigm now underway across the globe.

I watched the whole series now in a span of three weeks. I want to say thank you very much for sharing it with us! I learned a lot. Despite having an art history-related degree, I never thought about how photography influenced painters. A very interesting topic, especially nowadays, when you have to wonder how AI might influence photography. Also, as you mentioned at the end of this lecture, it's mindblowing to imagine a world without photos. My biggest take-away for my personal photography however, is: the answer to questions like "what is photography" and "what is the purpose of a photo" has changed so often in history, there is not a single correct answer, only a subjective one. There is no right or wrong, just a "what did you want to do, or why did you want to do it".

Just stumbled upon your channel, thanks for sharing so much information!

I’ve watched the whole series now. Thank you for your eloquence and creativity in covering the history of photography

The Norfolk Broads, just south of Scotland? Maybe look at a map?

Thank you very much for these excellent lectures. Systematic and insightful. I learned so much.

Professors, in your lessons on the history of world photography, in lessons 6,8,10,13 there is no translation in any language, if you can see the subject with Yoytube. Thank you very much. You have done a world order, thank you.

Professors, in your lessons on the history of world photography, in lessons 6,8,10,13 there is no translation in any language, if you can see the subject with Yoytube. Thank you very much. You have done a world order, thank you.

Tragic that these short films are presented with such low resolution.

For my Fathers love

Excellent maths thank you professor, but the translation to all other languages ​​has been cut off.

Great talk. I would include Hiroshi Sugimoto and Chuck Close (Polaroids) in the large format classification. Any chance these talks could be posted in higher resolution? It’s impossible to see the images at 240 resolution.

Thanks - great conversation with your students. Francesca Woodman is interesting.

Thank you for posting your talk. Szarkowski’s personal photography looks very controlled in comparison with the work of the photographers that he championed. I get the feeling that Szarkowski was drawn to photographers that were a little “out if control”.

I’m a firm believer that the best way for photographers to learn about image composition is to look at the work of great painters. Painters such as Caravaggio and Rembrandt understood color, form, and space. They invented their images out of whole cloth controlling every aspect of them via a very direct medium. Photographers can learn a lot about the components of a great image from the great masters.

The Lartigue work is fantastic. The contemporary digital stalker stuff - not so much.

thank you professor, this helped me with my homework!

What a perfect time to stay there. Was the shed still there?

Your lectures are great, I am surprised you do not have more "likes" on here. I just discovered you recently. I am entering an MFA program in photography and media. I was an art history major as undergrad. These videos are great refresher classes getting me ready for grad school and I am learning a lot I did not know. THANK YOU FOR MAKING THESE, I wish they had a wider audience.

Thank you for making these all public. Enjoying it a great deal

viva gli antichi romani i migliori

I've started adding captions to add context, prompted in part on this video.

Thank you for the excursion into the history of my own country. It is a shame that a country like the Russian Empire was destroyed. It could have gradually evolved into a constitutional monarchy without civil wars and cultural destruction.

you have a great voice for this

I used to have, what I think was a brownie Hawkeye (circa 1970??), And still have an un-processed sphool! I live in San Jose California, and would be very interested in knowing if you or anyone in the brownie universe, has any idea of where I can get this spool developed.I’d like to think that my brownie Hawkeye is Summer still around, but I will honestly say I do not know!

Hi Jeff, I've just time travelled back to 2006 and started listening to all of them on my daily walk. Because it's not gear centric it's still completely relevant. Thanks for a great resource.

Kodachrome and dye transfer are unmatched to this day, it’s sad. I’ll stick to black and white in my darkroom 🤔

Thanks Jeff. I agree. I find that you can't be creative without making mistakes. Creativity is one mistake after another resulting in the finished product, ie, your mistakes all rolled into one final image.

Very interesting Jeff! Fantastic video! I love a pioneer story, especially on photography, it inspires my to pick my camera up again. Thanks!

Hello Sir, I've given a little break to podcasts listening in general.. I'm back and it seems you stopped Camera Position in May 2021. Am I mistaken?

EXCELLENT! By any chance, do you know how many books were printed in the first edition?

Ansel Adams' first camera was the No.1 Brownie. 3:21 His parents gave him one because he was hyperactive. They figure something like a camera would keep him busy. Well, we all know how *that* turned out! That No.1 Brownie of his is now in the collection of the George Eastman Museum. I own a No.1 Brownie. What's surprising how small it is - much smaller than a box of packaged butter. Which makes sense - children have small hands. Another little kid who started off with a Brownie camera (a Brownie Special Six-16): Stanley Kubrick.

Thank you for posting. I am looking for information on the manufacturing of Brownie Hawkeyes. Do you know of any resources that might be of value. I'm finding a bit on their marketing and art deco motifs. But if I can get info on how they were assembled would be awesome.

Awesome video. great graphics. i wonder why there arent more views

This was an excellent class

Wise words Sir, I concur completely and can confirm that photography without labels is a joyful exercise, thank you for so eloquently releasing the ties that so easily can constraint us when we think we need a #. Really pleased to have stumbled across your channel.

your lectures are getting interesting video by video !! thank you!!

Loved that last one. I love how it's almost an abstract, just playing with lines and such. And yet, it's not trying to be unreal and looking at it just a little bit more carefully reveals it for what it is. Thanks for sharing all this beauty.

Absolutely inspirational- thank you!

intresting

Great job, i really liked 😀😀